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The Tragic True Story Behind Tyrone's Vampire Nuns Tale on Marvel's Cloak & Dagger

Olivia Holt, Marvel's Cloak and Dagger | Photo Credits: Alyssa Moran, Freeform

Things are getting deep on Marvel's Cloak & Dagger as Tandy's (Olivia Holt) search for her friend Michaela led her to a sex trafficking ring within the city of New Orleans. It turns out the city's history with the disgusting practice is as old as the city itself -- both on the show and off.

TV Guide's "Did You Know" video from Thursday's new episode reveals the real life inspiration behind Tyrone's (Aubrey Joseph) story about vampire nuns. In the Freeform series, Tyrone explains that vampire nuns were girls sent from France when New Orleans was first being settled to help populate the area, except when the girls arrived they were taken in by thieves and vagrants, so the king of France asked for them back, but many of the girls were never heard from again.

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It's a true story, but in real life those women were known as "The Casket Girls." Cloak and Dagger showrunner Joe Pokaski first head their tragic tale while taking a haunted ghost tour of New Orleans and decided to weave it into the Season 2 narrative to show how the city's history mirrored the present storyline. He's also had experts from across the country weigh in on the Season 2 plot to give it authenticity and make sure the show is tackling the issue in a sensitive and accurate fashion.

Marvel's Cloak & Dagger airs Thursdays at 8/7c on Freeform.



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Gotham Series Finale Trailer: Jeremiah Returns and Batman Finally Arrives!

David Mazouz, Gotham | Photo Credits: Fox

It's official: There's only one episode of Gotham left, but it's going to be a thing of dreams for true Batman fans. Fox released the series finale trailer after the penultimate episode on Thursday night and gave us a great glimpse at Batman, in full cape and cowl. The trailer also offered another peek at Jeremiah's (Cameron Monaghan) return as The Joker "J."

Those are the obvious Easter eggs, but fans can also catch Jim (Ben McKenzie) hugging a pint-sized Barbara Gordon (who, in comic book lore, grows up to be Batgirl) as well as Penguin (Robin Lord Taylor) fitting his signature monocle for the first time. Selina (Camren Bicondova) is in full head-to-toe leather and cat claws as she fulfills her Catwoman destiny. Honestly, how could we ask for more?

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The final episode flashes forward 10 years after the events of the penultimate episode, with Bruce (David Mazouz) returning to his hometown as the Dark Knight. Will he face off against his archnemesis, J, or will another threat kick off his official tenure as Batman? We can't wait to find out.

Gotham's series finale airs Thursday, April 25 at 8/7c on Fox.



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Ramy Review: Hulu's Groundbreaking Comedy Is as Empathetic as It Is Horny

Ramy Youssef, Ramy | Photo Credits: Barbara Nitke, Hulu

Ramy, Hulu's wonderful new comedy series, is a comedian's-point-of-view show in the artistic vein of Louie or Master of None or Atlanta. It comes from the mind and experiences of Ramy Youssef, a 28-year-old Egyptian-American actor and stand-up from northern New Jersey, who co-created the show with Ari Katcher and Ryan Welch, and executive-produces, writes, stars, and directs one episode. He's not yet a household name -- his most prominent credit before this was a recurring role on Season 3 of Mr. Robot -- but his show has confidence and clarity of vision that puts it alongside those auteurish achievements from name-brand creators. Outside of one standalone episode that flashes back to Ramy's childhood -- a format successfully utilized in similar fashion in the aforementioned shows -- Ramy isn't really like those shows, though. Youssef's perspective is too distinct. We've seen many "am I a good person?" shows, but never one quite like this.

Ramy is about a fictionalized version of Youssef who's trying to straddle the line of being a devout Muslim who observes Ramadan and prays five times a day and doesn't drink or do drugs, but who also lives a secular American Millennial life of being driven by George Costanza-level horniness. Like George, sex makes his life very complicated. Unlike George, he's a thoughtful guy with a spiritual code that makes him feel guilty when he doesn't do the right thing, and eventually he has to try to right his wrongs, which only leads to further complications. He lives at home with his immigrant parents Farouk (Amr Waked) and Maysa (Hiam Abbas) and his sister Dena (May Calamawy), all of whom have their own strengths and flaws. It's a portrait of an American Muslim family never before seen in a sitcom, because these kinds of characters are never allowed to be this complicated.

"They're messy, they're ignorant, they're loving, they're a little racist, they're . . . you know -- they're everything everyone in America is," Youssef said in a recent interview with Vanity Fair. "Meeting at our fault lines is much more interesting to me than meeting at shared values. I'm not trying to sell you something. If anything, I'm trying to show you where we are. There is nothing to hide." The "fault lines" Youssef mentions are what make this show so compelling and so laugh-out-loud funny. It's woke in its representation of people rarely seen on TV and how it's empathetic to all its characters, and hilariously unwoke in the way it chooses to let its characters say ignorant things and do inappropriate stuff without inviting the audience to condemn them. It may offend some, not because it's provocative, but because it's real in a way that will make some people uncomfortable.

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Relatability is not Ramy's main goal -- its main goal is to be funny -- but you will probably find yourself relating anyway, if you have parents you love but don't agree with, or if you struggle to live by the rules of your religion, or if you did something less-than-solemn in the wake of September 11th, 2001, like young Ramy's (Elisha Henig) visit to a sex chatroom in the childhood flashback episode. Other standalone episodes follow Dena and Maysa, and the latter in particular is a beautiful showcase for Hiam Abbas and shows the interior life of a middle-aged woman in a way that almost never gets shown on TV. Ramy's empathy for its characters is tremendous.

Ramy does a number of things remarkably well. It provides plenty of laughs, and it also knows when to pull back and go for emotion (there's a remarkable scene with Ramy's grandfather in the finale). It holds conflicting ideas at the same time (I'm not going to tell you who makes a special guest appearance in the flashback episode, but it's pretty incredible). The acting is great across the board, and every role is well-cast (the show's biggest laughs tend to come from Ramy's knucklehead friends, played by Mohammed Amer and David Meherje). It's a major statement from a talent who's only going to grow from here.

All ten episodes of Ramy Season 1 premiere Friday, April 19 on Hulu.



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